SIL Open Font License v1.10
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Copyright (c) 2012, Impallari Type (www.impallari.com)
This Font Software is licensed under the SIL Open Font License, Version 1.1.
This license is copied below, and is also available with a FAQ at: http://scripts.sil.org/OFL
SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
The goals of the Open Font License (OFL) are to stimulate worldwide development of collaborative font projects, to support the font creation efforts of academic and linguistic communities, and to provide a free and open framework in which fonts may be shared and improved in partnership with others.
The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works. The fonts and derivatives, however, cannot be released under any other type of license. The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives.
“Font Software” refers to the set of files released by the Copyright Holder(s) under this license and clearly marked as such. This may include source files, build scripts and documentation.
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PERMISSION & CONDITIONS
Permission is hereby granted, free of charge, to any person obtaining a copy of the Font Software, to use, study, copy, merge, embed, modify, redistribute, and sell modified and unmodified copies of the Font Software, subject to the following conditions:
1) Neither the Font Software nor any of its individual components, in Original or Modified Versions, may be sold by itself.
2) Original or Modified Versions of the Font Software may be bundled, redistributed and/or sold with any software, provided that each copy contains the above copyright notice and this license. These can be included either as stand-alone text files, human-readable headers or in the appropriate machine-readable metadata fields within text or binary files as long as those fields can be easily viewed by the user.
3) No Modified Version of the Font Software may use the Reserved Font Name(s) unless explicit written permission is granted by the corresponding Copyright Holder. This restriction only applies to the primary font name as presented to the users.
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5) The Font Software, modified or unmodified, in part or in whole, must be distributed entirely under this license, and must not be distributed under any other license. The requirement for fonts to remain under this license does not apply to any document created using the Font Software.
This license becomes null and void if any of the above conditions are not met.
THE FONT SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM OTHER DEALINGS IN THE FONT SOFTWARE.
Notes from Fontsquirrel about the heritage of this font:
This font's license appears to allow you to use @font-face css embedding!
Libre Caslon Text Regular | 537 Glyphs
Libre Caslon Text Italic | 541 Glyphs
Libre Caslon Text Bold | 537 Glyphs
Libre Caslon Display Regular | 551 Glyphs
The Libre Caslon fonts are unique Caslons. They are different to all other Caslons out there. When we were faced with the challenge of making a new Caslon, we asked ourselves: How can we make them different to all other revivals and bring something new to the table?
We realized that most Caslon revivals were based on the 18th-century type and that there was a whole genre of Caslons that has been so far ignored: The alluring hand-lettered American Caslons of the 1960s.
This was a captivating subject to investigate. Caslon was the very first alphabet that lettering artists learned to draw, so they all were very familiar with it. Quoting Larry Ottino: “If the beginner learns the basic principals of form and proportion contained in the Caslon alphabet he will find that he has the base for learning of any alphabet”.
Our wonder led us to find countless examples of beautifully crafted handlettered Caslon renderings, and many lettering tutorial books. Among those many books, there were two that outshine the rest: One is “Lettering for Advertising” by Mortimer Leach, and the other one is “How to Render Roman Letter Forms” by Tommy Thompson. Both of these books are excellent, highly recommended for all those who want to learn lettering. Photo-Lettering had Saul Haput’s Casoni and Headliners International had Hawthorne in a full range of styles.
So, instead of making just another revival of the types of William Caslon, we preferred to pay homage to the 60s lettering artists. Absorbing from the collected references we created two size-specific cuts so it shines in both Display and Text settings. And basically that’s how Libre Caslon became different to all other digital caslons out there (Not better or worse, just different.)
|Uploaded on:||February 15, 2017|
|Designed by:||Impallari Type|
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